Former Editor of The Bottom Line Kaegan Sparks speaks with curator Nina Samuel about her exhibitions on drawing as an epistemic tool in the sciences. Kaegan Sparks: Your
Nina Samuel
Jacolby Satterwhite
Registration and Development Intern Martina Caruso interviews New York-based artist Jacolby Satterwhite on his project repurposing schematic drawings made by his mother into animations and performances. Grey Lines, the newest chapter
Dorothea Rockburne: Drawing Which Makes Itself at The Museum of Modern Art
In The Drawing Center’s 1977 inaugural show, works on paper by Dorothea Rockburne, James Bishop, Ralph Humphrey, Robert Mangold, Robert Ryman, and Douglas Sanders were displayed in the museum’s
Nathan Carter: THE FLY-BY-NIGHT MEGA METRO SUB ROSA TURBULENT TWISTER at Casey Kaplan
Nathan Carter, Petropavlovsk-Kamchatsky is located on the Bering Sea at the base of Avachinsky Volcano, 2013. Latex acrylic paint, ink, and color pigment on aluminum di-bond, 71 3/4 x 96 1/4 inches. Image courtesy of Casey Kaplan.
Nathan Carter has channeled the energy of a child’s drawing in his latest body of work, presently on view at Casey Kaplan through October 24. The pictorial works in
Open Sessions FAQs
The Drawing Center is pleased to announce Open Sessions, a new program created by Lisa Sigal and Nova Benway, Open Sessions Curators. Open Sessions is a platform for selected artists to find new
Michelle Stuart: Drawn from Nature at the Parrish Art Museum
Michelle Stuart: Drawn from Nature, currently on view at the Parrish Art Museum in Watermill, NY though October 27, displays the artist’s work from the late 1960s to the
Gramsci Monument
I am both an admirer and a skeptic of Thomas Hirschhorn’s monuments, which he erects in unpredictable public spaces to honor philosophers and political thinkers. In the past, Hirschhorn
Art+Dance: 8 Collaborations
In anticipation of the September 16th premiere of NOTATIONOTATIONS, a first-time collaboration between multimedia artist Susan Hefuna and contemporary choreographer Luca Veggetti, Communications Intern Berny Tan briefly explores several seminal
Modern Cartoonist: The Art of Daniel Clowes at MCA Chicago
Currently on view at the Museum of Contemporary Art Chicago is Modern Cartoonist: The Art of Daniel Clowes, the very first museum retrospective to survey the work of the
Harold Mendez
Harold Mendez, I'm not always fitting (Portrait for Nobody (left); Portrait for Braille Teeth (right)), 2012. Diptych of chemically altered and processed pinhole negative paper prints, exposed from reflective mylar, 50 x 38 inches each. Image courtesy of the artist.
A few weeks ago I visited The Skowhegan School of Painting and Sculpture, a nine-week summer residency program for artists in Skowhegan, Maine. I have spent multiple summers