For the next month, we’ll highlight a series of animated drawings done strictly in graphite by a selection of internationally recognized artists. Ranging from quick gestures to more elaborate narratives,
On a trip to California in January I visited Viewing Program artist Dan Levenson, who recently relocated to Los Angeles from Brooklyn. We had many conversations leading up to this
The Prinzhorn Collection: Traces upon the Wunderblock—a show presenting over two hundred works by mentally ill patients in asylums between 1890 and 1900—opened at The Drawing Center in the spring
Anticipating the public launch of the anthology Xenakis Matters at The Drawing Center on February 28, 2013, this first installment of The Bottom Line’s new column Retrospect revisits the exhibition Iannis
In honor of our recent José Antonio Suárez Londoño exhibition, over the next few weeks, we will be featuring Colombian artists whose work in drawing takes a diaristic approach.
On the occasion of his current exhibition at The Drawing Center, Assistant Curator Joanna Kleinberg Romanow caught up with artist Ignacio Uriarte to discuss his nostalgia for obsolete administrative supplies,
Drafts, a new programming series at The Drawing Center, begins this Thursday, February 7 with Phase I: Advanced Mechanics of Materials. Each program will derive from images in
Silhouette is a new column on The Bottom Line featuring profiles of artists in The Drawing Center’s Viewing Program, written by Viewing Program Curator Lisa Sigal. I