Installation view of Louise Lawler: WHY PICTURES NOW. The Museum of Modern Art, New York, April 30-July 30, 2017. © 2017 The Museum of Modern Art. Photo: Martin Seck.
Louise Lawler began her career as part of the Pictures Generation, a loosely-defined group of artists who came of age in the 1970s. Like other members of this group, Lawler
Barry Doupé, Whaty, 2012. Computer animation, 30 seconds. Commissioned by the Toronto Animated Image Society’s HELLO AMIGA Project. In partnership with Trinity Square Video and VTAPE. Special thanks to the
A series of thirty eye-popping, evocative works on paper have staked their claim in the mezzanine gallery of the Studio Museum in Harlem. Produced over the last decade, Rico Gatson’s seemingly
Daisy Jacobs, The Bigger Picture, 2014. 8 minutes. Daisy Jacobs is a London-based, British animation director. Her short, The Bigger Picture, 2016, is an award-winning film that tells the story of
On Tuesday, May 2nd, Open Sessions‘ resident Jennifer May Reiland hosted a group of Open Sessions artists at her Williamsburg studio apartment. Jennifer creates large-scale intricate drawings on paper that
On a recent visit to the Morgan Library and Museum to see the Delirium: The Art of the Symbolist Book exhibition I started thinking about the relationship between museums
Lucy Raven, A Crisis Passed in Sleep, 2005. Hand-drawn animation, 4 minutes, 1 second. Lucy Raven, When the Ceiling Has Become Visible, 2005. Hand-drawn animation, 2 minutes, 58
Mustafa Faruki. Rubber-Daaree Motorized Beardmaking Spindle from 'terminal 4 jetway' series.
On April 4th, The Drawing Center’s Open Sessions artists met at OS resident Mustafa Faruki‘s studio to discuss his recent projects. Mustafa Faruki is an architect and founding partner
Marisa Merz (Italian, born 1926) Untitled, 2010. Mixed media on paper mounted on wood with iron and copper frame, beams, and wax, 100 3/8 × 110 1/4 in. (255 × 280 cm) V-A-C Foundation, Moscow
The Met Breuer’s current exhibition Marisa Merz: The Sky Is a Great Space—on view in the museum’s second floor gallery—presents the Italian artist Marisa Merz’s ascendant art practice from over
“Raymond Pettibon: A Pen of All Work,” 2017. New Museum, New York. Photo: Maris Hutchinson / EPW Studio
Gathering together Raymond Pettibon’s wide range of interests in politics, culture, religion, sports, and literature, A Pen of All Work at the New Museum demonstrates how the simplicity of the