Noriko Okaku, The Interpreter, 2015. Mixed Media + Video Installation, 6 minutes 29 seconds. Noriko Okaku’s The Interpreter gives life to 22 tarot cards illustrated by the artist during a residency in Derby,
‘The Interpreter’ by Noriko Okaku
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‘David Wojnarowicz: History Keeps Me Awake At Night’ at the Whitney Museum of American Art
Currently on view at the Whitney Museum of American Art, David Wojnarowicz: History Keeps Me Awake at Night is an exclusive look at the progression of the artist’s career during the late 1970s and 1980s. David Wojnarowicz (1954–1992), a
‘Paradise Limited’ by Young Joo Lee
Young Joo Lee, Paradise Limited, 2017. 3-channel loop animation installation, 17 minutes. In Paradise Limited (2017), Young Joo Lee presents the lush wilderness and uneasy tension of the Korean Demilitarized Zone
‘Giacometti: Drawing Astonishment’
At age seventeen, Alberto Giacometti could draw anything. The son of a post-impressionist painter in Italian Switzerland, he had a happy childhood, provided with the resources and education that make
‘Multiply, Identify, Her’ at the International Center of Photography
Multiply, Identify, Her, on view at the International Center of Photography through September 2nd, is a brief but incisive look into current art practices that address identity, representation, and gender.
Anna Boghiguian at the New Museum
Currently on view at the New Museum of Contemporary Art, Anna Boghiguian: The Loom of History is the artist’s first solo exhibition in the United States. Though based in Cairo,
Drawing (as) Center: Symposium
The following panel discussion took place on October 12, 2002 as part of The Drawing Center’s 25th Anniversary Benefit Selections exhibition, organized by Catherine de Zegher, former Executive Director of The Drawing
Torkwase Dyson and the Wynter-Wells Drawing School for Environmental Justice
[su_youtube_advanced url=”https://www.youtube.com/watch?v=uD4LJ6S9fKk” controls=”no” showinfo=”no” autoplay=”yes” loop=”yes” rel=”no” fs=”no” modestbranding=”yes”] Torkwase Dyson, Winter Term: Torkwase Dyson and the Wynter-Wells Drawing School for Environmental Justice, 2018. Color, 6:14 min. 1DRRGRND COLLABORATORS
‘Grant Wood: American Gothic and Other Fables’ at the Whitney Museum of American Art
Grant Wood (1891–1942), Fertility, 1939. Charcoal on board, 18 x 24 in. (45.7 x 61 cm). Promised gift to Crystal Bridges Museum of American Art, Bentonville, Arkansas. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Photograph by Dwight Primiano.
On view at the Whitney Museum of American Art, Grant Wood: American Gothic and Other Fables is the museum’s first retrospective of the Regionalist artist Grant Wood in more than
‘A~C~H~E~ NY’ by Hipkiss
Hipkiss, Detail of Bulwark #11, 2017. Graphite, silver ink, silver tape, and metal leaf on Fabriano 4 paper, 89 x 16 inches. Courtesy of the artists.
Hipkiss: Bulwark is on view at The Drawing Center from April 6 to August 12, 2018. The exhibition features a series of meticulously-detailed panoramic landscapes by Anglo-French artists Alpha and Chris Mason, who