On-view through April 23, 2019 at the Solomon R. Guggenheim Museum, Hilma af Klint: Paintings for the Future is the first major solo exhibition of the artist in the United
Hilma af Klint: Paintings for the Future at the Solomon R. Guggenheim Museum
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Liliana Porter: Other Situations at El Museo del Barrio
Liliana Porter: Other Situations at El Museo Del Barrio serves as a survey of the artist’s work from 1973 to the present. Organized between a chain of rooms that bounce
‘370 Cover’ by Brian Bress
Brian Bress, 370 Cover, 2015. High definition six-channel video (color), high definition monitors and players, wall mounts, framed, 75 x 75 x 4 inches, TRT 13 minutes, 13 seconds, loop.
An Exhibition on Lesser Known History: Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918–1922
Currently on view at the Jewish Museum is the first major exhibition on the art movement at the turning point of Russian history, and on a lesser known chapter of
A Conversation with Toyin Ojih Odutola and Zadie Smith
On Monday, December 3, 2018, Toyin Ojih Odutola and Zadie Smith convened at The Drawing Center for a conversation about Ojih Odutola’s practice and her work in the exhibition
2018 Holiday Gift Guide and Bookstore Sale
The Drawing Center bookstore is happy to offer a 20% discount on all of our Drawing Papers catalogs and limited edition prints. Please note that this sale is *in-store only*
Thoughts on For Opacity with Nathaniel Mary Quinn, Elijah Burgher, and Toyin Ojih Odutola
For Opacity: Elijah Burgher, Toyin Ojih Odutola, and Nathaniel Mary Quinn, on view from October 12, 2018–February 3, 2019 in The Drawing Center’s Main Gallery, takes as its thesis the essay For
Jennifer Wynne Reeves: Selected Writings
On view from October 12, 2018 to February 3, 2019 in the Drawing Room, Jennifer Wynne Reeves: All Right For Now presents the late artist’s work, at the intersection of representation, abstraction,
Drink & Draw at The Living Gallery
Photo by Nyssa Frank
I’m sitting in a hot, crowded room, three rows deep with drinkers and drawers. We’re all breathing each other’s collective CO2 exhalations because there’s no ventilation—the front facing window and
‘Charting the Divine Plan: The Art of Orra White Hitchcock’
The American Folk Art Museum’s current show, Charting the Divine Plan: The Art of Orra White Hitchcock (1796–1863), curated by Chief Curator Stacy C. Hollander, tells the story of a 19th century