Alexa Lim Haas, Agua Viva, 2017. 6 minutes, 46 seconds. Voice by Mengda Zhang. Courtesy of the artist. New York-based animator Alexa Lim Haas uses a fluid, improvisational line to create
Excerpts from “Interview” with Neo Rauch by Ena Swansea
It’s a quarter past seven on Wednesday night at Bat Haus Coworking Space, and already people are arriving 45 minutes early to grab a coveted seat at the drink and draw—stylized as “Drink N’ Draw” —hosted weekly at Bat Haus.
The Center for Urban Pedagogy. Making Policy Public 10th Anniversary, 2019. 5 minutes and 45 seconds. Courtesy of The Center for Urban Pedagogy. The Drawing Center’s 2019 Winter Term explores
Catherine Prowse and Hannah Quinn, Laymun, 2017. 4 minutes, 42 seconds. Compositions and sound design by Kalle Jurvanen. Courtesy of the artists. London based director and animator Catherine Prowse and
On-view through April 23, 2019 at the Solomon R. Guggenheim Museum, Hilma af Klint: Paintings for the Future is the first major solo exhibition of the artist in the United
Liliana Porter: Other Situations at El Museo Del Barrio serves as a survey of the artist’s work from 1973 to the present. Organized between a chain of rooms that bounce
Brian Bress, 370 Cover, 2015. High definition six-channel video (color), high definition monitors and players, wall mounts, framed, 75 x 75 x 4 inches, TRT 13 minutes, 13 seconds, loop.
Currently on view at the Jewish Museum is the first major exhibition on the art movement at the turning point of Russian history, and on a lesser known chapter of
On Monday, December 3, 2018, Toyin Ojih Odutola and Zadie Smith convened at The Drawing Center for a conversation about Ojih Odutola’s practice and her work in the exhibition