Salvador Dalí, Study for “The Image Disappears,” 1938. Pencil on paper. Private Collection. © Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York 2012. Photo: Michael Tropea, © 2012 Museum Associates/ LACMA.
The assemblage of more than 160 works currently on display in Drawing Surrealism at The Morgan Library and Museum serves as a fantastic primer on Surrealism through the evaluation of its
Curator Claire Gilman offers a glimpse behind Alexandre Singh: The Pledge. Complete with inkjet scans, stenciled pencil dots, and store-bought IKEA frames, Alexandre Singh’s installation at The Drawing Center
Dan Levenson, SKZ Student Painting Study (detail), 2013. Oil on aged blotter paper, 23 3/8 x 33 1/8 inches (A1 size).
On a trip to California in January I visited Viewing Program artist Dan Levenson, who recently relocated to Los Angeles from Brooklyn. We had many conversations leading up to this
Left: August Klett, Portrait of Hans Prinzhorn, 1919. Drawn on a sheet of notes left behind by Prinzhorn on a visit, 8 1/4 x 6 1/2 inches. Right: August Klett, Untitled, 1915. Pencil, watercolor, and colored pencil on writing paper, 8 3/16 x 6 1/2 inches/
The Prinzhorn Collection: Traces upon the Wunderblock—a show presenting over two hundred works by mentally ill patients in asylums between 1890 and 1900—opened at The Drawing Center in the spring
Lucien Hervé, Philips Pavilion, c. 1958. Archival exhibition print, 18 1/2 x 11 7/8 inches. Image courtesy of Fondation Le Corbusier.
Anticipating the public launch of the anthology Xenakis Matters at The Drawing Center on February 28, 2013, this first installment of The Bottom Line’s new column Retrospect revisits the exhibition Iannis
Ignacio Uriarte, Film Still from The History of the Typewriter recited by Michael Winslow, 2009. HD-Film (RED) on BluRay, 20 minutes and 52 seconds. Image courtesy of the artist.
On the occasion of his current exhibition at The Drawing Center, Assistant Curator Joanna Kleinberg Romanow caught up with artist Ignacio Uriarte to discuss his nostalgia for obsolete administrative supplies,
Drafts, a new programming series at The Drawing Center, begins this Thursday, February 7 with Phase I: Advanced Mechanics of Materials. Each program will derive from images in
Incendiary Traces outdoor drawing event at Northrop Grumman Space Park Drive Aerospace Headquarters, Redondo Beach, CA, 2012. Photo by Jena Lee. Image courtesy of the artist.
Silhouette is a new column on The Bottom Line featuring profiles of artists in The Drawing Center’s Viewing Program, written by Viewing Program Curator Lisa Sigal. I
Ishmael Randall Weeks, Stills from Slideshow, 2012. Image courtesy of the artist.
Genevieve Wollenbecker, Visitor Services Manager, recently spoke with artist Ishmael Randall Weeks about his past and current work, focusing on his slide project currently on view in The Drawing
Coinciding with the launch of The Drawing Center’s fabulous new website, The Bottom Line is getting a new lease on life! In the coming months, look forward