After visiting Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, on view at The Museum of Modern Art through March 19, it should come as no
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‘The Resonance,’ by Mateusz Sadowski, 2013
Mateusz Sadowski, The Resonance, 2013. Stop motion animation. 6 minutes 16 seconds. Animated by Mateusz Sadowski. Courtesy of the Artist. “In Mateusz Sadowski’s stop motion film The Resonance, movement is mediated through layers
‘Delirium: The Art of the Symbolist Book’ at The Morgan Library & Museum
The ever present challenge of mediating an abstract concept hangs over Delirium: The Art of the Symbolist Book at The Morgan Library & Museum. The small exhibition makes particular note
‘A Curious Hand: The Prints of Henri-Charles Guérard’ at the New York Public Library
Les graveurs du XIXe siècle, a guide to printmakers published in 1885, describes Henri-Charles Guérard as an artist characterized variously as a “modernist, Impressionist, ‘Manetist,’ one who depicts landscapes and
‘A Woman Comes Into the Room,’ by Heather Kai Smith, 2015
Heather Kai Smith, A Woman Comes Into the Room, 2015. Digital Animation, 1:15 minutes. Audio performed and written by Alice Notley, recorded February 21, 1979. Directed and animated by Heather
‘Epic Tales from India’ at the Princeton University Art Museum
From the colorfully rendered drawings of everyday life to the portrayals of mythological creatures and gods like Krishna and Vishnu, the artistic elegance of Indian art showcase the varied and
‘The Red Book,’ by Janie Geiser, 1994
Janie Geiser, The Red Book, 1994. 16 mm film (color), 11 minutes. Sound Design by Beo Morales. Written, directed and animated by Janie Geiser. Copyright Janie Geiser. “In Janie Geiser’s The Red Book,
‘Untitled,’ by Shilpa Gupta, 2012
Shilpa Gupta, Untitled, 2012. Single channel video projection, 3 min 42 sec, looped. In Shilpa Gupta’s Untitled (2012), practiced hands extract a gleaming white thread from loose, rocky soil.
‘Marilyn Minter: Pretty/Dirty’ at the Brooklyn Museum
Marilyn Minter is known for creating work that is sensual, fashionable, and visceral. But, Marilyn Minter: Pretty/Dirty, an exhibition currently on view at the Brooklyn Museum, renders all these
OS 9 Public Program: ‘Cartography of Ghosts’
Last Thursday, the artists of Open Sessions 9: Cartography of Ghosts organized a program with three presenters to reconsider the role of architecture in demarcating social conditions and power dynamics,