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The Drawing Center Digital Guide
Explore The Drawing Center online using our new digital guide, available for free as part of the Bloomberg Connects app. Discover exhibition guides, drawing activities, and educational resources by downloading
Curtis Talwst Santiago: Can’t I Alter
Watch Curtis Talwst Santiago walk us through Can’t I Alter, his site-specific, immersive installation that explores the theme of ancestry and the struggle to access lost and tangled histories.
“Guo Fengyi: To See from a Distance” and “3x Abstraction: New Methods of Drawing by Emma Kunz, Hilma af Klint, and Agnes Martin”
Artists have been approaching the mysteries of our world through unique artmaking practices for centuries.
2019 Holiday Book Sale and Gift Guide
Save 20% on all Drawing Papers catalogs and limited edition prints through January 5!
‘The Pencil Is a Key: Drawings by Incarcerated Artists’ Extended Resource List
The following organizations and initiatives have developed outreach, service, advocacy, and public programming services in support of incarcerated individuals and other marginalized communities locally, nationally, and internationally.
2019 Auction Benefit + Party Artwork Preview
Preview artworks that will be available at our 2019 Auction Benefit + Party on Thursday, September 19!
The Drawing Center 2019 Benefit Auction + Party
The Drawing Center will host its 2019 Benefit Auction + Party on Thursday, September 19. The evening will include cocktails, a live DJ, festive snacks, and a silent auction featuring works on paper generously donated by over 40 prominent artists, both emerging and well-established.
‘Ugly’ by Anna Ginsburg and Melissa Kitty Jarram
A collaboration between director Anna Ginsburg, artist Melissa Kitty Jarram, and poet Warsan Shire, UGLY is an animation that dazzles in both its uninterrupted visual flow and powerful rhetoric.
T.C. Cannon: At The Edge of America at the National Museum of the American Indian
Cannon addressed the complexity of native identity in his interdisciplinary oeuvre by addressing specific U.S. and native conflicts, rebelling against stereotypes associated with native art, and examining his personal history as a Vietnam veteran.