Mark Reynolds, Minor Third Series: Ode to Klee and Cathedrals, 2011. Graphite, ink, colored pencil, and pastel on tea-stained cotton paper, 14 x 11 inches. Image courtesy of the artist.
Curatorial Intern Elizabeth Gambal talks with California-based artist Mark Reynolds about the mathematical processes behind his drawings. Elizabeth Gambal: Your drawings incorporate graph-like forms and interconnected geometric shapes.
Leigh Wells, Deception (11.10.08), 2011. Collage, graphite, and mixed media on paper, 30 x 22 inches. Image courtesy of the artist.
Development Intern Emmie Danza interviews Berkeley-based artist Leigh Wells on her sculpture-like drawings and drawing-like sculptures. Emmie Danza: Throughout your two-dimensional pieces and sculptures, forms layer atop one
Composite of drawings created at Drawing Circle (detail), June 24, 2012.
Drawing Circle, a DrawNow! project, was a group drawing event on Governors Island last summer, led by artists and long-time friends Andy Deck and Valérie Hallier. The event was
Viewing Program artist Seher Shah’s architectural drawings are both fantastical and factual. Her drawings are complicated studies of real architectural spaces with multiple perspectival renderings of the structures. On a
Currently on view until June 29 at Sears Peyton Gallery is a collection of luminescent paintings and drawings in the exhibition Deborah Dancy: Chasing the Light. The entire exhibition, including both
It’s a treat to see an artist working confidently with unusual materials. In her exhibition New Work, Nancy Lorenz has made use of mother-of-pearl inlay, lacquer, white gold, and
In May 2013, art book publisher Phaidon released Vitamin D2: New Perspectives in Drawing, a sequel to their 2005 publication Vitamin D. Aiming to present an “up-to-the-minute” survey of
Matthew Barney, DE LAMA LÂMINA: De Lama Lâmina, 2005. Oxidized iron powder, petroleum jelly, and graphite on embossed paper in self-lubricating plastic frame, 12 1/2 x 10 x 1 1/4 inches. Collection of the artist. © Matthew Barney, courtesy of Gladstone Gallery, New York and Brussels.
Life, decay, and death mingle freely in Matthew Barney’s delicate and elaborate drawings currently on display in the exhibition Subliming Vessel, on view at The Morgan Library and Museum
Tracey Emin, Lonely Chair Drawing II, 2012. Gouache on paper, 40 x 54 inches. © Tracey Emin. Image courtesy of Lehmann Maupin, New York and Hong Kong and White Cube. Photo: Ben Westoby.
Though not often known for subtlety in her work, British provocateur Tracey Emin offers a refreshingly more mellow output in her latest body of drawings, presented in a two-part exhibition
Viewing Program Curator Lisa Sigal recalls a recent meeting with poet and artist Christopher Knowles. I was looking back at TDC’s archives, which are organized in black binders; inside are