George Venson, Nipples, red, 2012. Nylon reinforced latex saturated wet strength paper and archival inks, dimensions variable. Image courtesy of the artist.

Curatorial Intern Gabriella Perez interviews New York-based artist George Venson about his wallpaper works, which combine drawing, painting, and installation mediums to challenge the juncture between fine art and design.

Visitor Services Manager Genevieve Wollenbecker reflects on the drawings of Maria Bussmann, which were included in a 2003 group exhibition at The Drawing Center and in a recent solo exhibition at

Linda Matalon, Untitled, 2010. Wax and graphite on paper, overall 19 x 25 inches. Image courtesy of Blackston, New York.

The artist Linda Matalon, who came of age in the late 1970s and early 80s, introduces a recent suite of drawings at Blackston gallery on view through April 14th. Matalon’s

Jim Shaw, Dream Object, ("I came back to the studio and Scott had added these three dimensional..."), 2012. Acrylic on muslin with cut-out acrylic on muslin attachments, 96 1/4 x 136 inches. Courtesy of the artist and Simon Lee Gallery.

  Jim Shaw once claimed to follow the example of Marcel Duchamp’s enigmatic diagram The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915–23. Just as The Large

Terry Smith, Plans for Capital Revisited, 2013. Image courtesy of the artist.

Curatorial Assistant Nova Benway shares the scoop on Capital Revisited, a public art project by artist Terry Smith commissioned by The Drawing Center.     London-based artist Terry Smith recently visited

This installment of Footnotes begins a series of addenda to The Drawing Center’s new program series Drafts, as tributaries of the ongoing conversation around its events and the images that precipitate them.