Balmori Associates’ Meditation Room: Horizon, 2015.
For IDEAS CITY 2015, The Drawing Center presents Balmori Associates’ Meditation Room: Horizon a constructed continuous wall of paper where the overlapping of two dot matrix systems comes together to create a
Jesús Tenreiro-Degwitz. Venezuelan Corporation of Guayana (Corporación Venezolana de Guayana) (CVG). 1966. Blueprint. Image courtesy of Museum of Modern Art.
The Museum of Modern Art exhibition Latin America in Construction: Architecture 1955-1980 runs through July 19, 2015. Curated by Barry Bergdoll and Patricio del Real, this exhibition focuses on
Kaizman’s sequence of drawings and the music, composed by Thomas Brinkmann, that accompanies them are based on the Fibonacci Row. The video is comprised of 25 drawings per second,
Felice Koenig, detail of Double Embrace, 2015. Acrylic on polystyrene, 24 x 24 x 4 inches (61 x 61 x 10 cm), from the Sculpted Form Series. Courtesy of the artist.
Felice Koenig shapes her paintings by applying layer upon layer of color—each layer an accumulation of resonant fields of dots. What is not immediately apparent in this intensely material practice
Jake Fried Brain Lapse, 2014 Hand-drawn animation with ink, white-out, coffee and collage. 1 minute In this video, Fried generates hallucinatory vistas by modifying and shooting the images
Diana Puglisi, Moth-eaten, 2014. Fabric dye and house paint on interfacing, 16 x 13 inches. Courtesy of the artist.
Viewpoint is a series in which The Bottom Line asks a practicing artist to respond to five questions. Diana Jean Puglisi is currently an MFA candidate at Massachusetts
Santiago Morilla expands on drawing through site-specific projects that prompt the questioning and analysis of the environment. In this compilation of three of his videos, Morilla manipulates the topography of
Benbenisty’s KAMIL documents a video of the Fountaine du Palmier being projected onto a drawing. A single second of footage is broken down into 24 frames, each one of
Installation view of Egon Schiele: Portraits, Neue Galerie, New York, NY (October 9, 2014 - April 20, 2015).
“The painter can also look. To see however is something more.” —Egon Schiele Does Egon Schiele ever go out of style? Certainly his fretful line and his provocateur’s attitude
Listen to a conversation between Tomi Ungerer and art director/writer Steven Heller, moderated by Claire Gilman, curator of Tomi Ungerer: All in One. This talk took place on January 17,