In this video, Yun-Hee Huh embraces the intrusive stove that was present in her studio space during her residency in Berlin. Despite her initial plan to work around it,

  Matt Black’s “Reflections” features a studio tour that reveals Rashid Johnson’s bold aesthetic, his multimedia approach, and his preoccupation with black soap.

  In his performance, Through the Looking Glass II, Gerhard Lang passed through Greenwich Village and the Bowery viewing the city solely through a Claude Lorrain mirror –  a darkened

  Dana Levy’s The Weight of Things animates a 19th century etching of the bedroom in the Palace of Versailles in the midst of an earthquake. Every detail, from the

    Combining the handmade with the digital, Sarada Rauch reinterprets traditional narratives with contemporary imagery, to keep conversations about current events active. Trace is a documentation of discovery. Rauch

  Combining the handmade with the digital, Sarada Rauch reinterprets traditional narratives with contemporary imagery, to keep conversations about current events active. And that’s just how they built it is

In this film by Art 21, artist Rashid Johnson charts a decade-long aesthetic and professional development from his early portrait photographs to his later conceptually-based sculptures made from glass, wood,

  Animals debate the sticky subject of body dysmorphia and the merits of reconstructive surgery in this short animation by Jessie Mott.   Jessie Mott and Steve Reinke EVERYBODY 2009 4

  In Blood & Cinnamon Mott’s creatures discuss existential crises as they flip and rotate and disappear from view.   Jessie Mott and Steve Reinke Blood and Cinnamon 2010 5 minutes

    A Day for Cake and Accidents  features a cast of animal characters – each of a different, though often indeterminate, species – who struggle with impending astrological despair