Louise Despont: Energy Scaffolds and Information Architecture will be on view at The Drawing Center until March 20. More information about the exhibition is available here. Excerpts from “Interview
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Jackie Ferrara
Listen to sound piece made by Jackie Ferrara in tandem with her installation Jackie Ferrara: Lines, on view in our Lab corridor as of April 15.
Interview with Kenny Wollesen and Julia Elsas
Wollesen and Elsas are performing this Saturday at The Drawing Center during the Basement Performances, curated by John Zorn In our second weekend of Basement Performances at The Drawing
Interview with Raha Raissnia
Raissnia is performing with Panagiotis Mavridis this Saturday at The Drawing Center during the Basement Performances, curated by John Zorn By Amber Moyles, Curatorial Assistant I had the
Louise Despont, ART21 “New York Close Up”, 2015
In this feature from ART21 “New York Close Up”, Louise Despont peruses a vast reference library of images she began collecting in high school and maintains to this day.
Interview with Louise Despont
Excerpts from Interview with Louise Despont by Brett Littman Part I: On Drawing and The Drawing Center’s Energy Scaffolds and Information Architecture Brett Littman: What materials do you
Martin Puryear: Multiple Dimensions at Morgan Library
A member of the Postminimalist generation, Martin Puryear has distinguished his career with an enduring commitment to traditional yet diverse methods of craft. While the artist is best known for
Yun-hee Huh, Stove, 2012
In this video, Yun-Hee Huh embraces the intrusive stove that was present in her studio space during her residency in Berlin. Despite her initial plan to work around it,
Joaquín Torres-García: The Arcadian Modern
On view through February 15th, The Museum of Modern Art is presenting a retrospective of the Uruguayan artist Joaquín Torres-García. Curated by Luis Pérez-Oramas, Joaquín Torres-García: The Arcadian Modern
Rashid Johnson in Matt Black’s “Reflections”
Matt Black’s “Reflections” features a studio tour that reveals Rashid Johnson’s bold aesthetic, his multimedia approach, and his preoccupation with black soap.